Per Yu Chen (Doris) is graduated from Tainan National University of The Arts. The thesis is combine of digital art and performing arts has become a new vocabulary of contemporary digital art and theater performances. Good at art criticism, photography, digital revision and video creation. She won twice of the Taipei Digital Art Festival Digital Art criticism Award. She was Executive Editor on “Art Critique of Taiwan Magazine” and “Digiarts”. Focus on the theme of video art, film art, cross-cultural art, digital art, animal and plant art, spirituality and nature. She has been working holiday in Australia two years. During her visit to museum, art galleries and studios, she has visited some international artists and has a strong interest in international cultural exchanges. Her article is mainly published in the "Artists magazine" and “Digiarts”.
Education
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Master of. Arts. M.A., Tainan National University of The Arts, 2014
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Mass Communication, Providence University, Taichung Taiwan, 2011
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Department of applied foreign language, Central Taiwan University of Science and Technology, 2008
Award
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Inner North Art Prize, Canberra, Australia, 2016
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Digital Art Criticism, Taipei, Taiwan, 2013
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Digital Art Criticism, Taipei, Taiwan, 2012
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4th NTD Television Chinese International Photography Competition, New York, U.S. 2012
Exhibition
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Middle age man Trilogy, Z space, Taichung, Taiwan. 21 Sep - 26 Oct, 2019.
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Roadtrip Chen Pei Yu Photography solo Exhibition, Art aNew Gallery & Café, Taichung, Taiwan. 5th-28th October, 2018
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Roadtrip Chen Pei Yu Photography solo Exhibition, Dawn Forest, Taitung, Taiwan. 5th December-12nd February, 2018
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Ten short film about Blessing East Coast 2018, 2018 "Wild Rhizome": Taiwan Biennial
https://www.youtube.com/watch?v=FUKFdFaG-48&list=UUDSqiJxZwbiXpjX1oaeKFjw&index=2
Work experience
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Taiwan Film Institute The cinema workshop for elementary school and Junior high school in offshore Islands and remote areas. Teacher
http://ourfilms.tfi.org.tw/index.aspx
https://www.facebook.com/ourfilms99/?epa=SEARCH_BOX
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2018 "Wild Rhizome": Taiwan Biennial curator assistant 2018
https://taiwanbiennial.ntmofa.gov.tw/index/en-us/2018TaiwanBiennial
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C-lab Research Division 2018
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2017 JIWA: Jakarta Biennale international communication & art manager 2017
https://jakartabiennale.net/en/home/
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Art Writing Factory writer, 2017-
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Artist Magazine writer, 2014-
http://www.artist-magazine.com/magazine/
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Executive Editor in Taiwan Digital Art and Information Center, 2013-2015
http://www.digiarts.org.tw/english/index.html
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Very View writer, 2012-2015
http://www.vtartsalon.com/very-view/vv2015
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Art Critique of Taiwan Magazine, 2011-2013
Article
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Be Discoverers in Art Museums - Stroll Through Synchronic Constellation of Progressive Art History, Chinese Association of Museums, 2019.
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Exploring the Spatiotemporal Boundary of Flowing Memory: An Interview with Wang Xinren on His Exotic Space View, National Taiwan Museum of Fine Arts. Digiarts, 2019.
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Video, Body, Coordinates: On Media Art in the Tour Exhibition "Awakenings: Art in Society in Asia, 1960s–1990s ", National Taiwan Museum of Fine Arts. Digiarts, 2019.
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Why does Taiwan need to know Indonesian movies? On the similar linguistic and historical ties of transnational video art, funscreen, 2019. http://www.funscreen.com.tw/headline.asp?H_No=717
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Political history and artistic life spirit - Indonesian film director Garin Nugroho and his classic movie, funscreen, 2019.
http://www..com.tw/feature.asp?FE_NO=1822
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The Aesthetics Perspective of Robots? On the Exhibition “the big picture” Presented in National Taiwan Museum of Fine Arts. Digiarts, 2019.
https://www.digiarts.org.tw/DigiArts/DataBasePage/4_136509479408070/En
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A Theater, a Film or a World surrounded by Imagery Particles? On Chou Tung-Yen’ s 4D Holographic Projection Chronicle of Light Year: Taipei-Copenhagen. Digiarts, 2018.
https://www.digiarts.org.tw/DigiArts/DataBasePage/4_118197620811011/En
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The Humanity beyond Skills On the 2017 Vienna Biennale: Robots. Work. Our Future. Digiarts, 2018.
https://www.digiarts.org.tw/DigiArts/DataBasePage/4_109461406545011/En
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Sailing from Australia to Taiwan Nude: art from the Tate collection – How to restart the body critic without clothes. The News Lens, 2018.
https://www.thenewslens.com/article/101316
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Site of Historical Events– Battlefield in Australia as Contemporary Museum. Chinese Association of Museums, 2018
http://www.cam.org.tw/site-of-historical-events-battlefield-in-australia-as-contemporary-museum/
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Mysterious Biennale - the spirit of the exhibition. AOFA.TW, 2018
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Site between time and space- Documenta14 Athens. AOFA.TW, 2018
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How to inject the spirit into art-2017 JIWA: Jakarta Biennale. Artist Magazine, 2017.
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On the Numeric Border toward Reincarnation: On Tatsuo Miyajima's Solo Exhibition Connect with Everything. Digiarts, 2017.
https://www.digiarts.org.tw/DigiArts/DataBasePage/4_88532502521278/En
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The contemporary visual diffusion in indigenous culture and nature: Cairns Regional Gallery. Artist Magazine, 2017.
http://news.deoa.org.tw/index/contentpage?id=93
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The anxiety exit, the installation of “Exit” by Paul Virilio. Art Writing Factory writer, 2017.
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Painting you who between us- when “Pet” being the art of frozen memory. Artist Magazine, 2017.
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The pure white summer, immersing in the virtual of “The Beach”. Art Writing Factory writer, 2017.
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The poetic of face and moving image. Digiarts, 2016.
https://www.digiarts.org.tw/DigiArts/DataBasePage/4_88532502521271/En
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If Eyes Are the Only Way to the World—On Jess Johnson’s Ixian Gate. Digiarts, 2016.
https://www.digiarts.org.tw/DigiArts/DataBasePage/4_88532502521262/En
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Tracking the confused travel memory: Daniel Crooks’s Phantom Ride. Artist Magazine, 2016.
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About art, I have many things want to say! Julian Rosefeldt’s Manifesto. Artist Magazine, 2016.
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The “MSG” residency of Indonesia and Australia artists in Melbourne. Artist Magazine, 2016.
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The solo in personal taste- Mofo festival. Artist Magazine, 2016.
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The read-made copy art- Andy Warhol and Ai Wei Wei. Artist Magazine, 2016.
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Intimate Listening—the Experimental Musical Performance, Domicile. Artist Magazine, 2016. https://www.digiarts.org.tw/DigiArts/DataBasePage/4_88361759652827/En
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The map of oversea- 2015 Darwin Festival. Artist Magazine, 2015.
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The Journey across Arts/Foreign Lands: North—Joint Exhibition of Six Sydney-based Artists in SYD/DRW Project. Digiarts, 2015.
https://www.digiarts.org.tw/DigiArts/DataBasePage/4_88532502521238/En
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Silence and humor in Physical Theatre Institute’s “Multi-X Night”, Very View, 2015.
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Did You See "The Return of the Ghosts"? -- Depicting the Spirits Through Images. Artist Magazine, 2015
https://www.digiarts.org.tw/DigiArts/DataBasePage/4_88361759652811/En
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The technology’s temperature and diffusion- Anarchy Dance Theatre and Ultra Combo’s “Second Body”. Digiarts, 2014.
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The screens interactive and memory- The Work“Teatime with Me, Myself and I” by Chou Tung-Yen, Very View no.23.
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Sections and Freeze Frame: The Visual Variation in Chou Shu-Yi’s “About Living”. Digiarts, 2014.
https://www.digiarts.org.tw/DigiArts/DataBasePage/4_88532502521188/En
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Animation, Installation, or Film? Reflections on Experimental Animations and Their Venues of Display. Very View no.22.
https://www.digiarts.org.tw/DigiArts/DataBasePage/4_88361759652763/En
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Through the memory space: The flow and interactive in Chou Tung-Yen’s solo exhibition “Lights Flowing out of Frame”. Taipei Digital Art Center, 2013
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”Her” young fantasy projection Saiau-Yue Tsau‘s solo exhibition “Show Her／Her Show”. Taipei Digital Art Center, 2013
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A Distinctive Camera Lens: Thinking the “Artistry” of the Art Documentary Film Festival. Digiarts, 2014.
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https://www.digiarts.org.tw/DigiArts/DataBasePage/4_88532502521203/En
The shape of noise: Weng NamYAP’s Graphics Speak, Very View no.21..
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Spatial Transformation and Positional Change in Watching Performances: The Experimental Initiative of the Creative Lab— “Yes! Try Out” Very View no.20.
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https://www.digiarts.org.tw/DigiArts/DataBasePage/4_88361759652744/En
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The flat thinking through photography- the multi-space of Chiu Kuo-Chun’s “Fantasyland Dreaming”. Very View no.18.
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The rheological of Digital Screen: the projection space and shadow in Chou Tung-Yen’s “Empty Memory”, Digital Art Criticism Award, 2013
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The flow of exhibition space and the change of point of view-“Imminent Sounds：Falls and Crossings”. ARTITUDE, 2013
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Brainwave show or performance show? The experiment of information visualization in “CORTEX_ Brain Wave Choreographic Experiments”. ARTITUDE, 2013
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Smartphone, Screen, and Performance: The Work“Teatime with Me, Myself and I” by Chou Tung-Yen, Very View no.13.
https://www.digiarts.org.tw/DigiArts/DataBasePage/4_88361759652708/En
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Experiment the moving image in brain : The magic Animation, Taipei Digital Art Center, 2012
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Dance and live with light: the Age of Digital Dance, Taipei Digital Art Center, 2012
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Bird View, revisit, document: Zu Yi-Ze’s “Family Memory”. Very View no.12
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Return, memory, projection: 8 NaNa’s “Non land relate”. Very View no.10.
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The Swinging Time and Space: On Shyu Ruey-Shiann’s Solo Exhibition “The Echoes of Remembrance” Digiarts, 2013.
https://www.digiarts.org.tw/DigiArts/DataBasePage/4_88532502521191/En
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Painting the intimacy diary by animation, the moving photo in “The Soliloquist”. Very View no.8.
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Car frame, view frame, visual frame-the plan of Riverbed theatre’s “Open room”, Very View no.6.
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[Keyword Series of Digital Arts] Body and Screen II: Dance, Video and Frame. Digiarts, 2013.
https://www.digiarts.org.tw/DigiArts/DataBasePage/4_88532502521178/En
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[Keyword Series of Digital Arts] Body and Screen I: Dance, Image, and Frame Digiarts, 2013.
https://www.digiarts.org.tw/DigiArts/DataBasePage/4_88532502521170/En
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Image and Shadow, the screen installation in “Empty Memory”, ARTITUDE, 2013
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The Landscape of Ancient and Modern View: On the Transformation of Space, Viewpoint and Show Field in TeamLab's Digital Art Works, Digital Art Criticism Award, 2012